The Viennese custom of naming waltzes after ball festivals and ball festivals after waltzes goes back to Lanner, Strauss I and their contemporaries. Strauss II elevated this practice to an art, for Lehár it became a welcome source of popularity and income. When Princess Pauline Metternich planned a "gold and silver" redoubt after a "white" and a "red-white" for carnival in 1902, she revived the old custom. She commissioned the young conductor of the "26er", Franz Lehár, to do it. On Thursday, January 27, 1902, the redoubt took place. According to tradition, the waltz was always played first as a concert piece, with an introduction and a coda. When the conducting composer had accepted the applause and the Archduke had completed the lap of honor with the Princess, the general dance began. It was different with the “Gold and Silver” redoubt. «Hardly the first theme sounded when the people started chattering, laughing and dancing. There was a few hand claps at the end - they asked for a repeat - and that was all». Nobody could have guessed that the defeat of the evening would become a worldwide success. Least of all the composer himself. But he created the symbolic and musical transition from the golden to the silver age of the operetta. Text: Gerhard Menhard Translator: Michael L. Bock
日曜日, 9月 13 202011.00 Uhr Grafenegg / Wolkenturm
Festkonzert in Grafenegg
アルフレッド･ エシュヴェ 指揮者
Programm ヨハン･ シュトラウス2世 : 喜歌劇「こうもり」序曲 ヨーゼフ シュトラウス : ポルカ・フランセーズ『水車 op. 57 ヨハン･ シュトラウス2世 : チック・タック・ポルカ op. 365 ヨハン･ シュトラウス2世 : ワルツ「ウィーン気質」 op. 354 ヨーゼフ シュトラウス : The Dancing Muse / Polka mazurka op. 266 ヨーゼフ シュトラウス : ポルカ・シュネル『騎手』 op. 278 ヨハン･ シュトラウス2世 : ワルツ「レモンの花咲くところ」 op. 364 ヨハン･ シュトラウス2世 : エジプト行進曲 op. 335 フランツ･ レハール : Zwanzinetta based on motifs from the operetta «Eva» フランツ･ レハール : 『金と銀』 op. 79
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