東京でのコンサート

ヨハン･シュトラウス2世
「騎士パズマン」のチャルダッシュ
op. 441 (1892)

In his review of The Gypsy Baron the music critic and writer Max Kalbeck caught people’s attention with the following remark, ‘After the interesting indications which Johann Strauss II has given us in this his latest work, we cherish more intensely than ever the happy hope that we will soon be able to greet the graceful muse of this composer of genius in the place where we have long wished to meet her: in the opera house.’
Comments like these certainly fell on fruitful ground with Strauss, as his own artistic intentions were themselves heading in the same direction. However, it was a path that would lead the composer to failure. While his Simplicius, with its leanings towards Wagner and a patriotically old German atmosphere, was a strange hybrid of opera and operetta and no more than a modest success, the work which Strauss composed for the Court Opera House, Knight Pasman, op. 441, first performed there on New Year’s Day 1892 and specifically described as a ‘comic opera’, was a resounding flop.

Although the audience at the eagerly awaited premiere gave the work a reasonably friendly reception, the reviews which appeared over the following days unsparingly laid bare its weaknesses. While there was overall agreement that the opera was a failure, the critics did concede with the same unanimity that the ballet music at the beginning of the third act was an absolute masterpiece, and that it was its czardas that was particularly captivating. There are very few such dances among Johann Strauss’s works; one thinks of the Pest Czardas written in 1846 for the Hungarian city of (Buda)pest and Rosalinde’s aria from the second act of Die Fledermaus.

It is astonishing how well Strauss was able to empathize with what were for him exotic musical idioms. This is especially the case with the Hungarian style, or more exactly what people thought of as such before Bartók and Kodály — and the czardas from Knight Pasman is a brilliant example.

Synopsis: Dr. Thomas Aigner

Translation: Dr. Leigh H. Bailey

Johann Strauss II. : Opera «Ritter Pázmán»
© by WJSO-Archive

DE 日
本
語 EN

≡ Menue ≡ Close

日曜日, 1月 05 202515.00 Uhr
東京 ⁄ 東京オペラシティコンサートホール

東京でのコンサート

ヨハネス･ヴィルトナー 指揮者

Programm
ヨハン･シュトラウス2世 : 喜歌劇「こうもり」序曲
ヨハン･シュトラウス2世 : ポルカ「浮気心」 op. 319
ヨハン･シュトラウス2世 : 取りこわしポルカ op. 269
ヨハン･シュトラウス2世 : 加速度ワルツ op. 234
ヨハン･シュトラウス2世 : アンネン・ポルカ op. 117
ヨハン･シュトラウス2世 : ワルツ『ウィーンの森の物語』 op. 325
Pause ヨハン･シュトラウス2世 : ヴェネツィアの一夜序曲
ヨハン･シュトラウス2世 : チック・タック・ポルカ op. 365
ヨハン･シュトラウス2世 : ワルツ「皇帝円舞曲」 op. 437
ヨハン･シュトラウス2世 : 「騎士パズマン」のチャルダッシュ op. 441
ヨハン･シュトラウス2世 : ポルカ「クラップフェンの森で」 op. 336
ヨハン･シュトラウス2世 : ワルツ「美しく青きドナウ op. 314

HERE you can find an overview of all concerts in Japan.

Information on ticket presales will be available shortly on the organizer's website.

ヨハネス･ヴィルトナー
© by Lukas Beck

ヨハネス･ヴィルトナー
Resumé
Website

Venue

東京 ⁄ 東京オペラシティコンサートホール
3-20-2 Nishi-Shinjuku
Shinjuku-ku
〒163-1407 東京
日本
Tel +81 (0) 3-5353-0789 Website About the concert hall Travel Directions Show Map