Viennese operetta gala at the 66th Gstaad Menuhin Festival & Academy

Johann Strauss II
Vienna Blood / Waltz
op. 354 (1873)

In the spring of 1873 Vienna was getting ready for the imminent opening of the World Exhibition. The festive mood was increased still more when Archduchess Gisela married Prince Leopold of Bavaria on 20 April.

The Imperial-Royal Court Opera also took advantage of the favourable moment to hold a ball in the Musikverein concert hall in order to boost their pension fund. In an interval in the dancing Otto Desoff conducted a programme of classical music, and then Johann Strauss II presented the waltz Vienna Blood, op. 354, which he had composed specially for the ball, with the Court Opera’s orchestra of eighty musicians. The title was taken from a collection of ‘small cultural sketches of the life of the people in the old imperial city on the Danube’ written by Friedrich Schlögl — a book that had become a bestseller.

In their reports, one journal, the Blätter für Musik, Theater und Kunst, wrote that the new waltz had the ‘freshness of original melody and the genuine spirit of the dance’, while one daily, the Wiener Tagblatt, summed it up as follows, ‘In this now cheeky, now sentimental music in three-four time there flows the lifeblood of Vienna — fresh, free, authentic, and red.’

The first editions for piano solo and duet, violin and piano, zither, as well as the orchestral parts, were published on 10 June 1873. This was the first of Strauss’s compositions to appear after the publishing house of C.A.Spina had been taken over by its new owner, Friedrich Schreiber. The relatively short time taken to produce these editions can be explained by the publisher wanting to make use of the increased market for sales resulting from the World Exhibition, a circumstance which also promised scope for international contacts. Some years later an edition appeared with the title page giving King Christian IX of Denmark as the dedicatee. In the operetta named after the waltz which Adolf Müller junior put together from melodies by Johann Strauss II its first theme is used for the final chorus; this begins with the title, which has since become a phrase everyone knows, ‘Vienna blood, a sap like no other, full of power, full of fire’.

Synopsis: Dr. Thomas Aigner

Translation: Dr. Leigh H. Bailey

Johann Strauss II. : Vienna Life (alt.: Vienna Blood or Vienna Spirit) op. 354
© by WJSO-Archive

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Saturday, 03. September 202219.30 o' clock
Gstaad ⁄ Festivalzelt

Viennese operetta gala at the 66th Gstaad Menuhin Festival & Academy

Alfred Eschwé conductor
Polina Pasztircsák soprano
Dovlet Nurgeldiyev tenor

Program
Franz Lehár : Overture to « Viennese Woman»
Emmerich Kálmán : «Grüß mir mein Wien» aus der Operette «Gräfin Mariza»
Johann Strauss II : Tick Tock / Quick polka op. 365
Emmerich Kálmán : «Heia, in den Bergen» aus der Operette «Die Csardasfürstin»
Johann Strauss II : Egyptian March op. 335
: «Schenkt man sich Rosen in Tirol» from the operetta «Der Vogelhändler»
Johann Strauss II : Roses from the South / Waltz op. 388
Break Johann Strauss II : Vienna Blood / Waltz op. 354
Rudolf Sieczyński : Wien, du Stadt meiner Träume / Lied
Franz Lehár : Zwanzinetta based on motifs from the operetta «Eva»
Franz Lehár : Vilja-song from the operetta "The Merry Widow"
Johann Strauss II : Thunder and Lightning / Quick polka op. 324
Franz Lehár : Lips are silent, Duet from «The Merry Widow»
Franz Lehár : Gold and Silver / Waltz op. 79

! Information on advance sales!

Dear audience!

Advance sales for this concert in the Gstaad festival tent will begin on December 20, 2021. Tickets can be booked from this date by phone, online and at the counter.

Further information: https://www.gstaadmenuhinfestival.ch/de/programm-and-tickets/konzerte-2022/03-09-2022-sinfoniekonzert

Alfred Eschwé
© by WJSO.at / Kurt Pinter

Alfred Eschwé
Resumé
Website

Polina Pasztircsák
© by Gstaad Festival / Jean Claude Capt (2022)

Polina Pasztircsák
Resumé

Dovlet Nurgeldiyev
© Henriette Mielke

Dovlet Nurgeldiyev
Resumé