Concert in New York City

Johann Strauss II
The Blue Danube / Waltz
op. 314 (1867)

What prompted Johann Strauss to choose ‘By the beautiful, blue Danube‘ as the title of his composition? Was it the regulation of the river Danube that was being planned at the time? Or the poems by Karl Beck in which the phrase appears? Had Strauss been planning a waltz with such a title for some time, or did this thought not come to him until he was reminded by the Vienna Men’s Choral Society of the promise he had once made to compose a work dedicated to them?

Be that as it may, The Blue Danube is, apart from a student exercise, Strauss’s first composition for voices. Did he draw on the advice and support of the choirmaster of the Society, Rudolf Weinwurm, when it came to the vocal parts? There is a great deal that we do not know. On the other hand it has been definitively established that the first performance was given on 15 February 1867, with Weinwurm conducting, at an ‘Evening of Songs for Carnival‘ held in the hall of the Dianabad establishment in Vienna, and that, despite later commentaries to the contrary, the waltz received glowing reviews. The orchestral version of The Blue Danube was first heard at the Carnival Review concert at the Volksgarten establishment on 10 March 1867, with the composer conducting in person. The first edition for piano had already been published on the day of the first performance, which was rather unusual practice at that time. The demand for the waltz must have been enormous, because it is more or less impossible to say just how many times it was reprinted by C.A. Spina, the original publisher, within a very short time. Foreign editions, arrangements for all widely played instruments and combinations of them, highly virtuoso paraphrases, and passages from the waltz quoted in the works of other composers and those of Strauss himself: these all bear witness to the enormous popularity of The Blue Danube.

Moreover, Eduard Hanslick, the high priest of critics, attested the work a ‘quite remarkable significance […] the significance of a quotation, of a phrase summing up everything there is in Vienna that is beautiful, lovable and gay. […] Alongside the national anthem composed by Papa Haydn, which celebrates the emperor and the imperial family, we have in Strauss’s Blue Danube a second national anthem which sings of our country and people.’

Synopsis: Dr. Thomas Aigner

Translation: Dr. Leigh H. Bailey

Johann Strauss (Sohn) : An der schönen blauen Donau / Walzer op. 314
© by «Kulturverein Wiener Blut»

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Saturday, 13. October 198420.00 o' clock
New York City ⁄ Paramount Center

Concert in New York City
1st US tour

Kurt Woess conductor

Program
Johann Strauss II : Ouverture to «Die Fledermaus»
Johann Strauss II : Singers Joy / Polka française op. 328
Josef Strauss : Chatterboxes: musical joke / Polka op. 245
Johann Strauss II : Emperor Waltz op. 437
Franz von Suppè : Fatinitza March
Johann Strauss II : Where the Lemon Trees Blossom / Waltz op. 364
Eduard Strauss I : Clear the Track! / Quick polka op. 45
Break Johann Strauss II : Wine, Women and Song / Waltz op. 333
Carl Michael Ziehrer : Release! / Quick polka op. 386
Carl Michael Ziehrer : Schoenfeld-March op. 422
Johann Strauss II : New Pizzicato Polka, from the Operetta «Fürstin Ninetta» op. 449
Karl Komzák II. : The girls of Baden / Walz op. 257
Encore Johann Strauss II : The Blue Danube / Waltz op. 314
Johann Strauss I : Radetzky March op. 228

For an overall view of all concerts of this tour, please click HERE

Kurt Woess
© by WJSO-Archive

Kurt Woess
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Venue

New York City ⁄ Paramount Center
1008 Brown Street
Peekskill
10566 New York City, NY
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1984 - Tournee durch USA - Galerie © by WJSO-Archive

1984 - Tournee durch USA - Zeitungskritiken © by WJSO-Archive

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Johann Strauss II The Blue Danube / Waltz op. 314 (1867)

Venue

Johann Strauss II
The Blue Danube / Waltz
op. 314 (1867)