Writing to his brother, Eduard, on Saturday 2 April 1892, Johann Strauss remarked: "I have sketched a new pizzicato-polka for your concerts in Hamburg. It is this time made slightly more interesting, in accordance with current taste (without really being suited to a concert performance with regard to the musical content). It allows an affected manner of performance - the main thing in a pizzicato number. For where there is no 'singing-tone', a success can only lie, I must admit, in a coquettish performance - since neither piano nor forte offer sufficient variety in such an unusual piece ....." The polka was later inserted as the Act 3 entr'acte in Johann's operette Fürstin Ninetta (1893), where it seems to have been used for the children's ballet sequence. Text: Peter Kemp, 1978 The Johann Strauss Society of Great Britain
Johann Strauss II. : New Pizzicato Polka, from the Operetta «Fürstin Ninetta» op. 449 © by WJSO-Archive
Thursday, 10. April 198621.00 o' clock Buenos Aires ⁄ Teatro Coliseo
Concert in Buenos Aires 3rd South-America tour
Kurt Woess conductor Sigrid Martikke soprano
Program Johann Strauss II : Overture to the operetta «Waldmeister» (Woodruff) Johann Strauss II : Anna Polka op. 117 Johann Strauss II : Eljen A Magyar! « Long Live the Magyar!» / Quick polka op. 332 Johann Strauss II : Where the Lemon Trees Blossom / Waltz op. 364 Johann Strauss II : «Draußen in Sievering blüht schon der Flieder», Walzerlied aus der Operette «Die Tänzerin Fanny Elssler» Johann Strauss II : Excursion Train / Quick polka op. 281 Johann Strauss II : Vienna Blood / Waltz op. 354 Break Josef Strauss : Watercolours / Waltz op. 258 Johann Strauss II : Bandits Galop / Polka schnell op. 378 Franz Lehár : «Meine Lippen, sie küssen so heiß», Song from Operetta «Giuditta» Johann Strauss II : New Pizzicato Polka, from the Operetta «Fürstin Ninetta» op. 449 Johann Strauss II : «Klänge der Heimat», Csardas der Rosalinde aus «Die Fledermaus» Johann Strauss II : The Blue Danube / Waltz op. 314 Encore Johann Strauss I : Radetzky March op. 228
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