The Viennese custom of naming waltzes after ball festivals and ball festivals after waltzes goes back to Lanner, Strauss I and their contemporaries. Strauss II elevated this practice to an art, for Lehár it became a welcome source of popularity and income. When Princess Pauline Metternich planned a "gold and silver" redoubt after a "white" and a "red-white" for carnival in 1902, she revived the old custom. She commissioned the young conductor of the "26er", Franz Lehár, to do it. On Thursday, January 27, 1902, the redoubt took place. According to tradition, the waltz was always played first as a concert piece, with an introduction and a coda. When the conducting composer had accepted the applause and the Archduke had completed the lap of honor with the Princess, the general dance began. It was different with the “Gold and Silver” redoubt. «Hardly the first theme sounded when the people started chattering, laughing and dancing. There was a few hand claps at the end - they asked for a repeat - and that was all». Nobody could have guessed that the defeat of the evening would become a worldwide success. Least of all the composer himself. But he created the symbolic and musical transition from the golden to the silver age of the operetta.
Friday, 01. May 202611.00 o' clock Vienna ⁄ Musikverein ⁄ The Große Musikvereinssaal
Concert in Vienna
Alfred Eschwé conductor Tara Stafford Spyres soprano Michael Spyres tenor
Program Johann Strauss II : Overture to the operetta "The Gypsy Baron" Johann Strauss II : «Als flotter Geist», Entree couplet from the operetta “The Gypsy Baron” Johann Strauss II : Etwas Kleines / Polka française op. 190 Johann Strauss II : Danube Maidens / Waltz op. 427 Johann Strauss II : Wer uns getraut, Duett aus der Operette «Der Zigeunerbaron» Johann Strauss II : Tick Tock / Quick polka op. 365 Johann Strauss II : Du und Du, Walzer nach Motiven aus der Operette «Die Fledermaus» op. 367 Break Johann Strauss II : Ouverture zu «Prinz Methusalem» Johann Strauss II : «Ach, wie so herrlich zu schaun», Walzerlied aus der Operette «Eine Nacht in Venedig» Johann Strauss II : We’re Not That Worried / Quick polka (Galop) op. 413 Franz Lehár : Vilja-song from the operetta "The Merry Widow" Franz Lehár : «Dein ist mein ganzes Herz» aus der Operette «Das Land des Lächelns» Franz Lehár : Lips are silent, Duet from «The Merry Widow» Franz Lehár : Gold and Silver / Waltz op. 79
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